6,482 Royalty-Free Audio Tracks for "D 703 – String Quartet No. 12 In C Minor Quartettsatz"

*Major seventh on C = B. Equal-tempered: 211/12:1 = 1100 cents. MIDI pitch bend: 0,64

Sung by Luiz Barbosa and Carmen Miranda. Odeon disc 11402.

Klaviersonate Nr. 31 in As-Dur op. 110, 3. Satz (adagio, ma non troppo) Sonata no. 31 in a flat major, op. 110 - iii. adagio, ma non troppo

Schubert's Ave Maria by Free Tim

G-sharp melodic minor scale ascending and descending.

B-flat harmonic minor scale ascending and descending.

B-flat melodic minor scale ascending and descending.

F♯ natural minor scale ascending and descending.

Pictures at an Exhibition - i. gnomus - vivo

72-et diatonic scale on C. Steps: 0, 12, 23, 30, 42, 53, 68, 72. MIDI pitch bend matches intervals

53-tet scale on C (22.64 cent steps). MIDI pitch bend matches intervals.

Acoustic scale on C in just intonation. Harmonics 8 through 15, which are the source of the name. C D E F↑ G A B♭ C. Pitch bend matches intervals.

Algerian scale. No pitch bend.

Sonata in B-flat major, Deutsch catalogue 960 - iii. scherzo (allegro vivace con delicatezza).

Introduction and Rondo capriccioso (A minor), op. 28. Camille Saint-Saens - Introduction and Rondo capriccioso (A minor), op. 28 (performed by Skidmore College Orchestra) Македонски: Камиј Сен-Санс — „Вовед и Рондо и капричозо“ (а-мол), оп. 28 (Оркестар на Скидморскиот колеџ) Introdukcja i rondo capriccioso a-moll na skrzypce i orkiestrę, Op. 28 autorstwa Camille Saint-Saëns w wykonaniu Skidmore College Orchestra.

Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.  

The Japanese song "Umi Yukaba" performed in 1941.

Common-tone modulation between C minor and its relative major Eb, using the common-tone G, in Schubert's Op. 163 (D. 956).

Diminished triad on C , as MIDI.

Root, in red, of a C major chord.

Fourth of a suspended fourth chord on C

Sixth (A), in red, of a C added sixth chord. Created by Hyacinth (talk) 15:57, 4 July 2010 using Sibelius 5.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Measure 4 from Ludwig van Beethoven's Piano Sonata No. 8 (Pathetique), Op. 13. This example demonstrates nonuplet 128th notes (semihemidemisemiquavers), 64th notes (hemidemisemiquavers), and one 32nd note (demisemiquaver).

Ascending melodic minor scale on A.

Cello concerto in e minor, op. 85 - iv. allegro, Op. 85

Johannes Brahms - concerto in a minor, op. 102 'double concerto' - iii. vivace non troppo (double concerto)

Pythagorean diatonic scale on C. + indicates the syntonic comma.

5-tet scale on C. Pitch bend matches intervals.

Sonata in B-flat major, Deutsch Catalogue 960 - 4th movement: allegro ma non troppo

Piano Sonata No. 8 (Beethoven) second movement (Adagio cantabile) 12 KB, 5:03 minutes

Freygish scale on D. Created by Hyacinth (talk) 03:16, 26 November 2011 (UTC) using Sibelius 5.

Schubert Sonata in B scherzo bars 5-10

Schubert Sonata in B scherzo bars 11-20

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, III. Finale (allegro vivacissimo) Concerto in D Major for Violin and Orchestra, Op. 35, III. Finale (allegro vivacissimo)

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, I. Allegro moderato Concerto in D Major for Violin and Orchestra, Op. 35, I. allegro moderato

Schubert Sonata in B scherzo bars 1-4

Schubert Sonata in B scherzo bars 25-28

Italiano: Concerto in D Maggiore per violino e orchestra, Op. 35, II. Canzonetta (andante) Concerto in D Major for Violin and Orchestra, Op. 35, II. Canzonetta (andante)

Johann Sebastian Bach's Violin Concerto No. 1 in A minor III. Allegro assai (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.

Johann Sebastian Bach's Violin Concerto No. 1 in A minor II. Andante (BWV 1041) performed by the Marine Chamber Orchestra of the United States Marine Band on June 7, 2014, at the Rachel M. Schlesinger Concert Hall and Arts Center at Northern Virginia Community College in Alexandria, Va. Capt. Michelle A. Rakers, conducting. MGySgt Claudia Chudacoff, soloist.